Mixwerk Blog

Santiago Ziesmer – die Stimme von Steve Buscemi & SpongeBob

Heute bei uns war Santiago Ziesmer, hier sein Interview: Geboren in Madrid, konnte Santiago bereits in früher Kindheit Erfahrungen im Hör- und Schauspielbereich sammeln. Anfang der 1970er Jahre wechselt er von einer Friseurlehre zur Schauspielausbildung und ist seitdem auf deutschen Theaterbühnen zu sehen – eine Leidenschaft, die er heute auch noch...
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Bernd Vollbrecht – Stimme von Antonio Banderas, Greg Kinnear & Tim Roth

Hier geht es zu unserem aktuellsten Interview, diesmal mit Bernd Vollbrecht. Hier im Mixwerk synchronisierte er für eine Serie den Schauspieler Tim Roth. Bernd arbeitet ebenfalls seit längerer Zeit im Synchrongeschäft. Seine Ausbildung absolvierte er an der Hochschule für Musik und Theater in Hannover. Vielen dürfte seine Stimme durch Antonio Bande...
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Irina von Bentheim - die Stimme von Sarah Jessica Parker

In den letzten Tagen war Irina von Bentheim bei uns für eine Synchronarbeit. Das haben wir natürlich genutzt und sie nach einem Interview gefragt. Sehen könnt ihr das hier:  Irina fasste bereits in frühen Jahren Fuß in der Medienbranche. Schon als Kind spielte sie ab Ende der 19060er Jahre neben Größen wie Heinz Erhardt und Heinz Rühmann. Nebe...
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Daniel Brühl Interview

Daniel Brühl Interview
The actor Daniel Brühl visited our voice actors agency for a recording. He is the English voice in the film "The Promise" ("Das Versprechen" in German). The documentary tells the story of Jens Söring, who for the last 32 years has been serving a prison sentence in the USA for a murder he probably had not commit. Below, the interview with Daniel: Da...
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Voiceover application part 3 - personally or via postal service

Voiceover application part 3 - personally or via postal service
Welcome to our review of voice talents who contact us. Today we talk about personal appearance at our agency or regular mail by post. 1.3 First contact via personal appearance or regular mail ​ Very few voice talents ring at our door here at the speaker agency and sound studio Berlin. We would recommed not to contact personally agencies o...
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Voiceover application part 2 - via Telephone

Welcome to our second post for Voice talents how to contact us or other agencies via telehpone. 1.2 First contact via telephone I know that professional voice artists dont like self-marketing, but when it comes to the first application via telephone it is most important to be prepared. So gather all the information you need about us or the job/agen...
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Selfmarketing for Voice talents

Selfmarketing for Voice talents
Welcome to our blogreview of how to make the best application as an voiceover artist... We hope to help you to get your voicedemos to clients, studios and voice agencies all over the world. We will highlight the possibilities of your "self-marketing" from our point of view. This blog is aimed at successful speakers and also those interested in beco...
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Recording with Professional Voice Actors high quality Audio for E-Learning

While producing an E-learning content or web based training, a major decision making factor is whether to use audio for the benefit of the end users.
Generally, narration is used for this kind of Audio E-learning. Music and sound effects are rarely used. This article describes the technical background for producing the best quality audio for this purpose.

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What kind of budget do I have to estimate for your services ?

There are many factors that help determine the budget you should have for your project. They include lenght of the recording, purpose of the recording and the voice talents you choose. Sometimes you will even need mastered files so you can just send them to TV stations or stream them in the internet.
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What does it take to be a professional voice talent?

The biggest misconception in voice-overs is as follows: "I have a great voice, and that means that I can do voice-overs, no problem!" Needless to say, a great voice is not the only factor that breeds a solid career in voice acting. A voice talent is not just a great voice, but a person with endless ambition, polished talent, and good business sense.

The first requirement, although it may seem obvious, is that you should be able to read well out loud.
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50 Tricks for Voice Talents

Your voiceover or "voice artiste" can be your friend or foe. They can totally ruin your script - or they can turn your mediocre script into something vaguely acceptable. They can make your award-winning script into, well, an award-winning script - or not.
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